For these guys, the digital artifacts and somewhat glitchy sound of the original Bass Whammy weren’t a problem- they were part of its charm.Ī mini toggle above the selection dial lets you choose between classic and chords settings. Indie-rockers and more experimentally minded players will appreciate that DigiTech included the monophonic classic mode. Like other Whammys, there’s a knob for dialing in the desired whammy or harmony selection, but there’s also a MIDI input option. There’s no way around the fact that the Bass Whammy is larger than most pedals-especially in light of the recent trend toward ultra-miniaturization-but there’s also a lot going on inside. Luckily, DigiTech recently rolled out the next-generation Bass Whammy, which builds on the beloved quirks of the original while also offering more modern options for those who like the concept but prefer sleeker execution-and this one won’t set you back a small fortune, either. But lately, there’s been a resurgence of interest in the original, and as usually happens with popular rare gear, the resurgence brought a marked inflation in price, too. Introduced to the low-end community in the ’90s, the pitch-stretching pedal was a hit with a small but avid niche of players, but eventually it was discontinued and fell into pawnshop purgatory. Such has been the case for many owners of the original DigiTech Bass Whammy. But it’s doubly painful when you let go of something rare that becomes much more costly to replace by the time you see the error of your ways. Just about every bassist and guitarist on the planet has regretted letting go of a particular piece of gear at one time or another, be it a vintage amp or instrument, or perhaps more commonly, a stompbox.
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